INSIDE RIMZIM DADU

Founded in 2007 as My Village, Rimzim Dadu began with an instinct to work differently - creating materials rather than sourcing them. Early recognition through Gen Next positioned the studio within a new language of Indian fashion, where surface, structure, and construction became central.

In 2016, a defining moment.
Steel was reworked into a wearable textile - precise, sculptural, unexpected. Worn on a global stage, the engineered sari marked the arrival of a distinct material language.

Deconstruction. Re-engineering. Reassembly.
Structure meets fluidity.
An intuitive process grounded in construction - where experimentation is continuous, and material defines form.

At the core of the studio is an ongoing
exploration of material.
Wire, cord, leather, and embellishment are developed into constructed surfaces - each evolving through process, not repetition.

The studio operates as a space of
constant testing and refinement.
Ideas move between hand and material - sampled, adjusted, rebuilt. The atelier and runway exist as one continuous process, where making remains visible and integral.

The work extends beyond the
garment into new contexts and disciplines.
From exhibitions to collaborations, the studio’s material language adapts across object, space, and scale - each rooted in construction, not category.

Today, the house continues to evolve.
Across couture, womenswear, and menswear, the work remains rooted in material innovation - building a practice that is both experimental and enduring.